Wyte can’t make up his mind what kind of influence he is on this song for more than five seconds. That’s why I try to get yo’ ass fucked up as I am and on the ground”
See I hate, bein the only one at the party fallin down Pop these, drink this, and really get with me too
#Three 6 mafia lil wyte songs full
I did my time hoe, full speed to the liquor sto’Īnd if you wit me, you gon’ have to hit the weed too
Just bought me some ‘dro, threw on some clothes and stepped out the do’ Take “One Little Pill” for example:ġ1 o’clock in the mornin, I’m ready to go That should actually make him a GOOD influence, but every time Lil Wyte says something you could build on, he has to prove he’s still the hardest white boy in Memphis and put over just how violent, misogynistic, mean and fucked up he is. He’s also alluding to doing something more rappers and entertainers of all genres should do – investing his money for the future so he can live comfortably later on. In fact his “Baywatch” reference is a fairly clever double entendre given his neighborhood is sometimes called the “Bay Area” of Memphis by locals. Despite the fact Lanshaw dropped out of high school three times before getting his diploma, he’s not a dumb rapper. Unfortunately I’m the kind of person that pays attention. It enables you to ignore the contradictions of his rhyme unless you’re paying really close attention to what he has to say. Thankfully Three 6 continues to bake up that goodness for Wyte on “The Bad Influence.” On the title track above, it’s their hard bassline and literally hypnotic melody that makes the song work. If you put frosting on a turd, it’s not cake – it’s a frosted turd. If he didn’t have that cake, he wouldn’t be making that guap. Underneath that frosting though is a moist layer of DJ Paul and Juicy J production that provides the actual body of his music. I like to compare Wyte’s rap style to frosting – it’s all you see when you look and it’s the first thing you’re going to taste when you hear him. 2007’s “The One and Only” was the latest in a long string of successful and slightly monotonous albums from Wyte. In eight years of major label releases though, Lil Wyte has been relentlessly thugging to a degree even Three 6 Mafia has to be impessed by. Lanshaw – with such legitimate hard-ass credentials he shouldn’t feel the need to prove he’s “The Bad Influence” with every single song and album. I’m a little fuckin dro’d, I’m a lot fuckin throwedĪnd I like my fans to join along whenever I’m rockin out they shows” Like your conscience, only I got way more pain relievin fluid I am the bad influence, the one that’s tellin you do it The shit I teach is deep in more than just a fuckin rhyme hoe When I reach I touch the fuckin sky, every time hoe Gettin money that don’t look like ours is how you know you’ve made it Then go overseas and make a hundred mill’ with David HasselhoffĪnd I make the Baywatch to show ’em what they have created If you liked the old me, too bad, I’m ’bout to kill him off
When I make ten million I’m gon’ turn into a fuckin jerk “I got a master plan, in the works, pick investors with the perks His background is legit and his affiliation with Three 6 backs it up. Even in 2009, most white rappers other than Eminem get their credibility challenged at some point, but Wyte has nothing to worry about. You go hard or not at all, because if you don’t go hard you wind up in even more dire straights than you’re already in. If you know anything about the poverty and economic depression of that region, it’s not hard to imagine ANYBODY being hard in that environment, regardless of their race. He makes no apology for it, and goes out of his way to state in his bio and during interviews that Paul brought him into the fold because he was the hardest white rapper in all of Shelby County, repping the Frayser section of North Memphis to the fullest. Lanshaw is by his own admission their token white boy. If this is your first exposure to Patrick Lanshaw a/k/a Lil Wyte, I’ve got good news for you – he’s a fully vested member of the Hypnotize Minds family and his entire album is produced by DJ Paul and Juicy J.
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